An awesome video featurning SBG’s Stella Davison

In case you missed it, Team SBG once
again dominated the scene at the Revolution
BJJ tournament held in Seattle.

In addition to gold medals for Portland SBG’s
Coach John Diggins, Coach Amanda, Coach
Chris, and many others, SBG Montana also
cleaned house!

Here is Portland’s first BJJ black belt graduate
Travis Davsion’s daughter, Stella Davison,
demonstrating what SBG BJJ is all about, in a
match against the recent Pan Am chidlren’s champion.

This is an awesome display of technical BJJ:

In case you missed it, Team SBG once
again dominated the scene at the Revolution
BJJ tournament held in Seattle.

In addition to gold medals for Portland SBG’s
Coach John Diggins, Coach Amanda, Coach
Chris, and many others, SBG Montana also
cleaned house!

Here is Portland’s first BJJ black belt graduate
Travis Davsion’s daughter, Stella Davison,
demonstrating what SBG BJJ is all about, in a
match against the recent Pan Am chidlren’s champion.

This is an awesome display of technical BJJ:

Stella

Way to go Stella!

Way to go Stella!

SBG cleans house at the Revolution Tournament!

Thanks to Richard for the report:

  • The results are posted! Congrats to all the winners !

    Special Congratulations to the Youth/Junior Team Combined Overall Champions for
    The Revolution 03.17.12 SBGi with 125 points !!!

    SBGi adults finished 4th overall in Gi Adult, 3rd in No Gi, and 3rd in combined, and of 26 teams.

    Adult Gi Results

    Purple 181.0
    1st Chris Stearns SBGi

    Purple 154.0
    1st Zach Dickson SBGi Montana

    Blue 154.0
    1st Dakota Tackett SBGi

    Women Blue 152.0 & Below
    1st Amanda Loewen SBGi

    White 221.0
    3rd Brian Lettenmaier SBGi

    White Master 181.0
    3rd Joe Arriaga SBGi

    White Women 129.0 & Below
    3rd Julie Clubb SBGi

    Adult No Gi Results

    Advanced 202.0
    2nd Shane Smith SBGi

    Advanced 188.5
    1st John Diggins SBGi

    WOMEN Advanced & Intermediate 147.0
    1st Amanda Loewen SBGi

    Intermediate 149.0 & Below
    1st Dakota Tackett SBGi

    Beginner 215.1 & Above
    3rd Jeff Wisher SBGi Montana

    Beginner 149.0
    3rd Jeremy Daws SBGi

    White 7 to 9 81 to 91
    3rd Yana Mischke SBGi Montana

    White/Gray 8 to 10 61 to 68
    1st Hayden Gomel SBGi Montana

    White 12 102 to 112
    1st Wyatt Mischke SBGi Montana

    White 12 to 15 95 to 97
    1st Donovan Mischke SBGi Montana

    White 13 & 14 115 to 125
    3rd Colton Gorian SBGi Montana

    White 16 131
    1st Hunter Gomel SBGi Montana

    Yellow 9 & 10 56 to 66
    1st Stella Davison SBGi Montana

    Youth & Junior No Gi Results
    Beginner 5 & 6 35 to 47
    1st Gannon Wisher SBGi Montana

    Beginner 8 & 9 79 to 85
    2nd Yana Mischke SBGi Montana

    Beginner 10 to 12 90 to 98
    1st Donovan Mischke SBGi Montana

    Beginner 14 & 15 125 to 136
    2nd Colton Gorian SBGi Montana

    Intermediate 7 & 8 51 to 62
    3rd Joe Davison SBGi Montana

    Intermediate 8 to 10 60 to 66
    3rd Stella Davison SBGi Montana

    Intermediate 9 & 10 72 to 73
    1st Bridger Wareham SBGi Montana

    Intermediate 8 to 10 82 to 95
    3rd Payton Reisinger SBGi Montana

    Intermediate 15 to 17 131 to 148
    1st Hunter Gomel SBGi Montana

How to talk to friends about SBG

Walking into a world renowned school like SBG can be intimidating at first.

Those of us who have been training for years in combat sports, and functional Martial Arts and self defense delivery systems like Brazilian Jiu-Jitsu, Boxing, Wrestling and MMA forget sometimes that the first vist to a school can be a bit scary for some people. Thanks to the insanity of some of the other “gyms” out there who go under the label of MMA, the public’s already poor perception of combat sports, and simple first time shyness, that first time through the door can be tough.

Of course once people visit our gym they realize it is truly for every-body. As we say, we have a jerk-free gym. As a tip, it helps when you are trying to get your friends to come in and work out with you to explain that this isn’t the TapOut t-shirt, sideways baseball cap kind of place.

Portland SBG student Gwenan Marshall does a great job of talking about her early experiences at SBG in this video:

http://youtu.be/xUMp6g6X6EQ

Enjoy!

-SBGi

 

Skepticism & Spirituality in the Martial Arts, a lecture with Matt Thornton

 

A lecture given on 2/21/2012 at PSU (Portland State University), by SBG Founder and BJJ black belt Matt Thornton on the topics of Aliveness, skepticism and spirituality in the martial arts.

Skepticism & Spirituality in the Martial Arts

The video features a ten minute talk, followed by an extensive question and answer period.

 

NY times best seller Sam Harris on Brazilian Jiu-Jitsu

In case you missed it NY times best selling author Sam Harris wrote a fantastic piece on training in Brazilian Jiu-Jitsu.

To quote:

“… a similar form of self-deception can be found in most martial artists, because almost all training occurs with some degree of partner compliance: Students tend to trade stereotyped attacks in a predictable sequence, stopping to reset before repeating the drill. This staccato pattern of practice, while inevitable when learning a technique for the first time, can become a mere pantomime of combat that does little to prepare a person for real encounters with violence……I can now attest that the experience of grappling with an expert is akin to falling into deep water without knowing how to swim. You will make a furious effort to stay afloat—and you will fail. Once you learn how to swim, however, it becomes difficult to see what the problem is—why can’t a drowning man just relax and tread water? The same inscrutable difference between lethal ignorance and lifesaving knowledge can be found on the mat: To train in BJJ is to continually drown—or, rather, to be drowned, in sudden and ingenious ways—and to be taught, again and again, how to swim…..Whether you are an expert in a striking-based art—boxing, karate, tae kwon do, etc.—or just naturally tough, a return to childlike humility awaits you.”

The article also features a comment from Portland Gym head coach and SBG Founder Matt Thornton:

“ I agree we need all three ranges—stand up, clinch and ground—for self-defense; and, in general, we want to avoid going to the ground in a fight. However, the best way to ensure that you will end up on the ground is to never train there in the first place. It’s the non-grapplers who are easiest to take down, and being in a “fight” means it isn’t necessarily up to you where you end up. So, it’s a bit of irony that wanting to stay off the ground in a self-defense situation should dictate a serious commitment to grappling.”

You can read it here:  http://www.samharris.org/blog/item/the-pleasures-of-drowning

Portland SBG training methodology #5, the five types of drills.

In the last few posts we’ve discussed SBG’s “I” method, and it’s use in drilling and training. We also talked about the first of the three stages in the “I” method, the introducation stage. Now we will get into the heart and soul of drilling SBG style, and explain why these training methods set SBG apart from the rest.

One you pass the I-troduction stage it is time to move on to the critical second part, the Isolation stage. This is the stage where students are actually drilling. This is the stage where students get to work the movements against Alive resistance. And this is the stage where students actually acquire the critical element of ‘timing’.

Timing is not gained from repetitions without resistance. As such we don’t usually refer to any form of repetition without resistance as a drill. All of the drilling at SBGi is done Alive; and this linking point between technique, and what actually occurs in a live roll against a fully resisting opponent is know for us as the isolation stage.

Contrary to popular misconception, the majority of classes at our Gym are not ‘sparring’; the majority of any class I teach tends to be the isolations stage, it tends to be drilling.

As an example, if we are teaching a 60 minute BJJ class, the first 15 minutes or so may be devoted to the introduction stage, the following 30 minutes will be devoted to the drilling or isolation phase, and the last 15 minutes may be devoted to sparring, the integration stage. Of course this is just a sample break down. But most classes are quite close to this example of time. There are many ways to drill Alive, and once drilling Alive is understood, the amount of great drills available for any particular movement is limited only by the Coaches own imagination.

 I sat down many years ago and tried to list all the different ‘types’ of drills that can be created. These are the 5 types of drills we use.

1- Objective drills

2- Isolation drills

3- Call out drills

4- Re-set drills

5- Pocket drills

Each type of drill isolates a different group of skill sets, or a particular type of timing; and each has its time and place, depending on the material you are working and the focus of that particular class.

You’ll find that many instructors and coaches are only familiar with one or at best two of the above listed drilling methods. This greatly limits the drilling possibilities in class. Familiarizing yourself with all 5 types of athletic drills is mandatory for an SBGi Coach.

Each type of drill could easily warrant an entire article on its own. But for simplicity sake I will give a brief example of each for ground (Brazilian Jiu Jitsu, BJJ), clinch (takedowns/ wrestling) and stand up (boxing kickboxing). Keep in mind that many drills are combinations of two of more of the types listed above.

Don’t get two hung up on the semantics of it. The point of listing them to begin with is to help open up your imagination/mind as a teacher and a coach. We want all our staff to easily be able to create fun and highly useful drills on the spot; regardless of the material that is being worked. My own students are constantly coming up with all kinds of variations on different drills, and it’s always something I enjoy seeing and learning from.

In the next article we get into each type of drill, and how it’s best applied.

Portland SBG training methodology #4, mastering the introduction stage.

At this point in our series of articles it’s worth stating another obvious point. All rules create exceptions.

There will always be one or two athletes in any class no matter how terrible the Instructor is, who will get better using the material presented. I would offer that these individuals get better despite the Instruction, and certainly not due to it.

At the very least I think we can confidently say that given a more proper teaching method, not only do all the students on the mat get better, poor athletes and good athletes the same, but so do the natural ‘star’ students. As JFK said, “a rising tide raises all boats”. If the whole group is getting better, then every individual athletes game evolves as well. As such, I am always focusing on the best ways to teach the majority, not just the already gifted minority. 

This brings me to another point, I am always using the example of brand new students when talking about these teaching methods. I am assuming in these examples a group of people who have had no prior BJJ or grappling experience. Again, if you are working with a room full of solid blue belts, everything becomes much easier. The points I made above, may in this case seem far less critical. However, common sense again tells us that if the suggestions above make a big difference when working with brand new people (and I assure you from 18 Years of fulltime teaching, day in and day out that they do), then they will also help more advanced athletes, blues, purples, brown belts as well.

When I am teaching my Instructor courses for Brazilian Jiu Jitsu BJJ, and Mixed Martial Arts MMA, and the lowest skill level of the students is at least high blue or purple, I still follow the same progressions I listed above. I still teach things in the order they arise on the mat, in the order in which I want them used (habits), and I don’t create problems that have not arisen yet.

Often times this means that I begin a class that I am teaching to purple belts (as an example) with a ten or fifteen minute review of the fundamentals of any given position or posture. After the review I get into the newer material I am interested in working with them. This helps make sure all my advanced belts always stay sharp on the fundamentals of each position themselves, and it also helps remind them of what I want them to do when they are teaching brand new people. And on a side note, it helps keep my own game sharper as well.

Rickson Gracie with SBG_UK’s Karl Tanswell. Rickson is a master of the fundamentals 

It’s easy for a purple or brown belt that is teaching a group of beginners to forget all the things that made a huge difference to him/her when they first started and jump right into a cool submission or counter-movement that they themselves are working on. This often leaves new white belts lost in translation.

By always reviewing the fundamentals in every class, you keep your upper belts reminded of the key points they may otherwise occasionally forget to pass on.

So this is the Introduction stage.

Some key points:

1- Use little to no resistance when introducing the move.

2- Encourage verbal communication between training partners at this stage.

3- Make sure the movement can be done properly without resistance before. proceeding to the drill stage, which for us (SBGi) always incorporates resistance.

Some key points on the material you introduce:

1- Stick the fundamentals of the delivery system being taught.

2- Make sure all the students can perform the move before proceeding, if this process takes more then about 15-20 minutes then the movements are probably to complex at this stage for the level of the group.

3- Introduce the movements in the order in which they occur in an Alive roll.

4- Remember the habits you want your students to develop, and emphasize these points by organizing the order in which you introduce the material, and the amount of time you spend on each piece.

5- Don’t create problems for your students before they arise naturally on the mat.

Before we move onto the next stage of the ‘I’ method I need to make a critical point here.

At SBGi the Introduction stage is always followed by the Isolation stage.

Of everything mentioned above, none of it is actually drilling yet. What we do not want to do is introduce a few new movements/techniques to students, repeat them in some form of dead pattern or repetition, and then roll. That exactly what I am not advocating.

This example of bad teaching is the often known coaching method of “here are a few random movements I just pulled out of my ass, they may, or may not even be related, lets do them a few times without resistance, okay now lets roll”. I have seen far too many teachers run classes this way.

A few final points before we leave the introduction stage.

There are two good ways to know as the teacher when it’s time to move forward into the drilling stage. The first is to look around the room and observe if everyone in the class has the movement. And the second is to listen.

Because we place a lot of emphasis on helping your training partner out at my Gym, and because we encourage verbal communication during the introduction stage, the room is filled with conversations about the movements we are working. Everyone on the mat actively helps his or her partners. This is a great plus for new people, who find themselves in a welcoming environment where students go out of their way to help newcomers. But it also has the added benefit of allowing a smart teacher one more method of telling when it’s time to drill.

By keeping your ears open to the conversations occurring on the mat, you will easily be able to notice if the group as a whole has the movements figured out up to this stage, or if some still need a bit more time. It’s always worth taking the time to walk around the mat and listen to the conversations.

Finally, I usually end the introduction portion of the class with a question and answer period that is related to the material we just worked.

This does two things. One, it allows any final questions to be asked before we enter the drill stage. And two, it lets everyone know in the class that the time for conversation is now ending. We are now moving forward into the timing stage. The part of the class where it’s time to let the body do its thing, and give the mouth a rest.

Between working the technique without resistance (introduction), and rolling live at the end (integration), exists the extremely important drill stage (isolation), and this stage is the key linking point between the techniques/positions/movements introduced to the student in the class, and the entire game (rolling) that occurs at the end of class. And this is the stage I will talk about in our next entry.

Stay Tuned.

Portland SBG training methodology #3 as it arises naturally

In the last two posts I discussed why it is critical to place the highest value on core fundamentals, and we also discussed how the sequence those fundamentals are offered in matters. It is important to remember that as much as that may all seem like common sense, we shouldn’t assume that people who have never had any formal training whatsoever as teachers would automatically get it right; most teachers do not.

I have watched many classes from very high level BJJ players who simply begin with any random technique they may have been working on at the moment; and although that may be fine for a guest appearance, or at a seminar, or when working with a group of already seasoned brown belts, when your working with the same people week after week who are starting from scratch, learning simple concepts such as the relative importance of the order of the material can make all the difference in the world. And it can mean your students may be able to compete at a solid blue belt level within a Year, as opposed to two or three.

How do you know what order to place the material in?

Here are three simple rules of thumb I often use:

1- Teach things in the order in which they arise naturally on the mat.

2- Teach them in the order in which you want your students to apply them as habits.

3- And don’t create problems before they arise naturally on the mat.

Regarding number one, if I am teaching how to open the closed guard to a brand new group of people, I am not going to start with a couple specific leg opening movements and then proceed later into base and posture. That would be out of sequence with what they will experience when they are rolling. So obviously there we would start with base and posture, and then proceed to opening the legs. Point number one and point number two tend to blend together when you are teaching. They are like two sides of the same coin.

As a good Coach what you obviously want is for your students to develop the habit of defending and applying things in the same order in which they actually occur during a live role. And that means always trying to solve things as early as possible, not at the last possible minute.

 Here is another example of point number two (you can see where it relates to point number one throughout). Lets use the example of leg lock counters.

If I show a group of people new to leg locks how to counter an achilles hold, and I start with the lock almost completely on, then I have skipped at least five different steps.

The natural by product of teaching this way is that you will have a room full of beginners who will often start their counter movements at a point in which they are just about to tap. As a teacher who wants his students to be catching these things as early as possible, this would not be good.

Instead, first I would start with where to put your feet. I would follow with how to clear your foot once someone grabs it. I would follow that with how to stay attached, and not allow your opponent to lay back and get position for the leg lock (assuming you could not prevent them from grabbing it in the first place, and once grabbed you were unable to free your foot), and only after all of those things would I proceed with the last ditch counter-submission movements.

Rickson had a very simple order in which he taught his curriculum. He called it:

 defense – offense – defense.

What I believe he meant by that was that he started with the fundamentals of a given position. In his case he started with escapes. As you have to teach top in order to teach bottom, we can call that first segment titled ‘defense’, fundamental positions. Your first, and by far your best means of defense is to always seek the advantage found in positional dominance. That is what BJJ Brazilian Jiu Jitsu is about.

Following positional dominance he taught the second section of core ‘offense’, chokes, armbars, etc. All of these flow off of maintaining position first, as it’s the position that gives you the leverage for the submission. This is a point all BJJ players know and learn very quickly.

Last he would teach ‘counter-offense’, this is the third section labeled ‘defense’, which is to say the counters to the submissions. This is a very logical progression, defense – offense – defense. And it relates to the same points I have made above.

The last rule of thumb was not creating problems before they arise naturally.

Again lets assume you are working with a group of brand new students. The lesson for the day is the triangle. The students have already worked some fundamentals about the guard, and as such they are well prepared for introduction to this fundamental submission.

Here is the question, if the triangle is a new movement for the majority of the group, would I want to drill the counter to the submission in the same class?

My answer to that is almost always (remember warnings not rules) an emphatic no.

What I want to see first is the students in the class tapping each other out in live rolls using a triangle. In a good class, this can often occur the same day. But that stated, I would probably give the group at least a few weeks to work the submission before I started drilling the counter to it. After a few weeks every time I got to the Q & A section at the end of class I am quite sure there would be at least a few people who would raise their hand and tell me they were having trouble getting caught with triangles. The problem has now arisen, and as such it would be time to work the counter to it.

What I don’t want to do is drill the counter to the triangle before anyone in the class is really able to pull off a triangle in a competitive roll. If I do, I may actually be doing a disservice to my students. I will be shortchanging their ability to play with, and grow into this submission.

Of course I am not suggesting that you will not mention key points that will involve what others may do in an attempt to counter the movement you just taught, i.e. with a triangle you will probably discuss the need to keep the opponent from getting posture. You may also work what to do if the opponent tries to pick them up and slam them, or tries to hide their own arm, make a frame, etc. But, the distinction here is one of perspective. We are working from the perspective of the person applying the triangle, so the majority of drill time will be aimed at this objective. That does not mean you will not expose your students to the things that may come up while attempting the movement.

Again, as common sense as that idea seems to be, we cannot assume that anyone teaching BJJ will automatically understand it.

As good Coaches it is our job to help our staff learn how to best impart this information to others. I have seen many coaches introduce a new submission to the class, and then five minutes later teach the counter to the very same submission. The natural by product of that is that a good percentage of the students never actually learn to use the submission, as everyone counters it before they have even gotten a chance to develop it. A few weeks go by, and the move is forgotten. Perhaps only to be picked up Years later when some of the students are purple belt, and they say “Oh ya, I remember seeing that 4 Years ago but I could never do it?”

By sticking to the guidelines listed above, teaching things in the order they arise, creating habits in the order we want them to be executed, and avoiding the creation of problems before they arise naturally, we can help create that optimum environment for growth that will allow the students to thrive.

Portland SBG training methodology #2 sequence matters

In our last post we talked about how the SBG emphasis on fundamentals that we apply here at the Portland Oregon Academy, create the environment that provides the space and freedom for individuals to develop their own, unique, “styles” of play.

Now let’s get into specifics regarding actual methodology.

The starting point for understanding the SBGi teaching model we use at the Portland Gym is the “I” method.

The “I”method is a simple 3-step process. You begin with introduction, the starting point for any class. Proceed directly into isolation, which is the drill stage, and consequently the stage I will be discussing the most in this article. And you finish with the integration stage. I call this the context stage, it’s the point where you take that class and work it back into the big picture of whatever game you are working on, BJJ, MMA, self defense, etc.

‘I’ Method:

Step #1 = Introduction

Step #2 = Isolation

Step #3 = Integration

Here is a practical example for using the “I” method.

The Introduction stage

Let’s say you are working on escapes from mount position from BJJ Brazilian Jiu Jitsu. You begin by introducing the core escapes to the class. For sake of example lets say that is an elbow escape, and an upa (bridge & roll). During the intro stage students are encouraged to talk to each other, switch back and forth and work the material without using any resistance right now. If there is a place for repetition in training, this is it.

The objective for the Coach is two fold, first everyone in class should be able to demonstrate and work the movement in a manner that is technically correct when no resistance is being applied.

And second, every student should understand why/ how the movement is meant to work.

This process usually takes anywhere from 10-15 minutes. If it takes more time then that then you may be teaching something that the class is not ready for, i.e. a triangle escape in a class of people who may not know how to do a triangle yet.

The biggest factor in time for the introduction stage is usually just class size.

As a teacher I like to make sure everyone on the mat gets it when no resistance is applied; and I have yet to meet a student who was not able to get it at the intro stage, provided you are patient in communicating with them. However, obviously class size will affect the time this process takes.

An important point here regarding the I-ntroduction stage is the proper method for correcting students. There are good ways and bad ways to do this.

As an example, one of our coaches attended a Brazilian Jiu Jitsu seminar awhile ago at another gym that was taught by a former world champion. This champion is well known in the BJJ community, and widely considered an expert “teacher” as well. What method did he use often for instruction? The answer is ridicule, and that alone should give you a clue as to exactly why being a world champion has absolutely nothing to do with being a good, or even decent teacher.

What this instructor would do is call up people from the audience and ask them to demonstrate a particular BJJ move. Then once they finished, he would immeadiately say something along the lines of, “Oh no,
that was all wrong
”, and then proceed to show the “right” way to do it, inevitably making some changes on however it was taught by the person previous to him.

Our own SBG coach didn’t jump into the nonsense of this scene, but observed it from the sidelines. It should go without saying why this should never be your teaching model; unless of course you want to be known as a dick.

                       

When teaching well, as we do at SBG, you want to encourage the students progress, not ridicule them, or make them feel small. If you notice during the introduction phase that they are doing something incorrectly, praise them for what they are doing well, even if it’s just for honestly trying, then correct them with kindness, and then finally, praise them again should they follow your guideince. The acronym we use for this method is PCP, or praise, correct, praise, and it’s important to remember if you actually care about the students you are coaching.

Another key factor about the introduction stage is how the curriculum itself is introduced to the student. And this brings me to a major point as it relates to teaching:

The order in which you introduce things can determine the habits your students develop.

This point really can’t be emphasized enough. Here is a concrete example. If I begin a BJJ lesson with a‘darce choke’ (as one of infinite examples), and these are individuals who are just starting out in BJJ (first few lessons), then I may in fact be helping them to develop habits which will be counter-productive to their game.

Why?

Because we have skipped quite a few steps, which in an alive roll occur prior to the choke arising.

In this example, we have not yet taught them about the importance of maintaining the far side underhook, we have not taught them the first thing to do when your opponent re-pummels and gets the underhook from crossides bottom, we have not yet taught them how to do a proper whizzer, in fact, there are at least five steps that occur between the time your opponent gets the underhook on bottom and the point at which you are in a position to do something like a darce choke.

So the question is, do you really want your students giving away the far side underhook, and then skipping all the steps needed to re-pummel and keep their opponent on his/her back?

Because if you don’t teach them the material in order, then most students will automatically let all that go, and just attempt to jump into the darce choke. Why wouldn’t they, if at this point it’s all you have taught them?

Now you might say so what, won’t we get around to working the rest of the material as well at some point anyway?

The problem with that theory is that in BJJ everyone starts developing habits on day one; and again, the order in which you introduce material to new students will have a direct effect on the habits those new students develop on the mat.

This is why we pay so much attention to those little details in curriculum at the Portland Gym.

That of course does not mean that a student should not be introduced to a darce choke. To the contrary, what it means is that there is a better way to work the student towards acquiring that choke in a live roll.

 

You might want to first start with emphasizing the importance of not giving away the far side underhook to begin with. After that, you might want to work re-pummeling right away if that underhook is lost.

Finally, a good movement to follow that, is a counter series for when the opponent (bottom person) gets the far side underhook. At the Portland Gym we start with the “diaper check”, which is placing the hand inside the bottom persons thigh so that they cannot gain any leverage with their underhook, and then re-pummeling.

After all that I would probably follow with the use of a proper whizzer (overhook) position from top. Something that is pretty detailed within itself. And from that whizzer position many submissions and movements open themselves up, one being the darce choke.

 

Again you can see one of the key teaching principles of SBG being applied above, Posture – Pressure – Possibilities.

By learning the proper posture, and the appropriate pressure to apply from that posture, the possibilities, in this case a choke, present themselves.

Skip the above step and jump straight to the possibilities, and you short change the student, and leave out the heart and soul of what makes BJJ work.

As a Coach who cares a lot about helping my students be as good as they can be, I know what habits I would like them to acquire once they get crossides top. And because I want them to develop those habits, I teach them in the order in which they arise naturally in a competitive roll. Only after I see that they have learned one set (with resistance) do I move on to the next series, not because we are looking to slow down their progress, but rather, because we are looking to speed it up.

In our next entry I’ll get into a very simple three step rule of thumb that will help provide you as a teacher or student with the best order, the most appropriate sequence, to place your curriculum in.